By Mark Whalan
With the booklet of this quantity, Edinburgh collage Press closes out its super winning tradition background sequence, which writes the tale of the 20 th century in the course of the cultural and highbrow pursuits of every decade. The 1910s have been more often than not ruled via the horrors of the 1st sleek struggle, however it additionally witnessed the flowering of modernism, the start of Hollywood, and the increase of innovative interpretations of tradition and society. Mark Whalan investigates this decade via achievements in fiction and poetry; artwork and images; movie and vaudeville; and song, theater, and dance. He contains certain observation and directed case experiences of influential texts and occasions and comprises chronologies and bibliographies. He considers Tarzan of the Apes, The start of a country, the novel modernism of Gertrude Stein, the Provincetown gamers, and jazz music's earliest recordings. A concluding bankruptcy explores the influence of the 1st global warfare on cultural understandings of nationalism, citizenship, and propaganda.
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Extra resources for American Culture in the 1910s (Twentieth-Century American Culture)
New magazines such as The Seven Arts saw young intellectuals such as Frank, Brooks and Randolph Bourne articulate new visions of American culture, even as they also ran pieces on ‘Young Spain’, ‘Youngest Ireland’ and ‘Young India’. Robert Coady’s lively manifesto for American art in his little magazine The Soil was perhaps the most pugnacious argument for this nationalist approach to culture, as well as the most eager to embrace the artefacts of mass culture and American industry. Yet, even his vision was articulated in the terms of international dialogue, asserting that 28 American Culture in the 1910s Traditions are being merged, blood is being mixed.
104 Mencken, too, advanced a cultural nationalism that drew from Whitman’s (and Twain’s) appetite for the muscularity of American vernacular speech. His desire to move American culture decisively away from what he felt was a stultifying Anglophilia was clearest in his The American Language: An Inquiry into the Development of English in the United States (1919), a project that defined and celebrated the particularities of American English which he would return to over the course of his career.
37 Such questions illustrate the irresolvable tensions of Progressive culture: the desire to ameliorate the brutalities of industrial capital coexisting with a residual tendency to pathologise the working class; and the desire to represent suffering as an engine for reformist action without acknowledging the pleasures of voyeurism, paternalism, or moral self-satisfaction that such representation can involve. Moreover, another limitation to these cultures of persuasion was the ease by which they could be – and were – co-opted into the persuasive exigencies of the consumer market.
American Culture in the 1910s (Twentieth-Century American Culture) by Mark Whalan