By Mark Galer
Unharness the hidden capability for pro photograph modifying in Adobe® Photoshop® parts with this project-based, real-world guide.
Using step by step directions and accompanying motion picture tutorials, Mark Galer leads you thru the fewer famous and strongest post-production enhancing options Adobe® Photoshop® parts has to provide. crafty methods and shrewdpermanent workarounds assist you to create expert photos with no positive factors from the entire Adobe® Photoshop® package deal that you simply desire yet don't desire to pay for - practice initiatives you did not imagine have been attainable in Adobe® Photoshop® Elements!
Whether you are an imaging expert or a images fanatic, this publication can help you get the utmost functionality out of your software program. find out how to:
* Create extraordinary results without advertisement lighting fixtures or studio equipment
* expand the dynamic diversity of your digicam through merging a number of exposures
* Optimize, increase and montage photos with wonderful results
The accompanying DVD presents large help with motion picture tutorials for all tasks, excessive answer photographs, multilayered records of accomplished initiatives, a inventory library and a keyboard shortcut guide.
Mark Galer is a contract photographer, complete lecturer and best-selling writer of quantity books on images. he's an authentic Adobe Ambassador for Adobe® Photoshop® and Adobe® Photoshop® components.
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Additional info for Adobe Photoshop Elements 6 Maximum Performance. Unleash the Hidden Performance of Elements
Remember that when you choose ‘Paste’ from the Edit menu the pixels are always pasted into a new layer above the active layer. 21 Project 3 Camera Raw All digital cameras capture in Raw but only digital SLRs and the medium-to highend ‘prosumer’ cameras offer the user the option of saving the images in this Raw format. Selecting the Raw format in the camera instead of JPEG or TIFF stops the camera from processing the color data collected from the sensor. Digital cameras typically process the data collected by the sensor by applying the white balance, sharpening and contrast settings set by the user in the camera’s menus.
Repeat this action to return to the normal view. 13 . Don’t forget the ﬁnal step of any editing procedure is the Unsharp Mask. I always prefer to create a separate layer for the sharpening process - especially if I am intending to make a print. My procedure is to choose Select All from the Select menu, Copy Merged and then Paste, both from the Edit menu. Set the view to Actual Pixels from the View menu before going to the Enhance menu to choose the Unsharp Mask option. 5 for the Radius when sharpening a 5 or 6 megapixel image with a threshold of around 3, or slightly more if your image is slightly noisy or has already been sharpened in-camera.
Choose a brightness value of 25% and click OK (ensure a value of 0 is entered in the other two ﬁelds of the HSB radio buttons). Add another stop right of center (at a location of approximately 75%) and again click on the color swatch to open the Color Picker. This time choose a brightness value of 75% and again click OK.
Adobe Photoshop Elements 6 Maximum Performance. Unleash the Hidden Performance of Elements by Mark Galer