Download e-book for iPad: Adobe Photoshop CS4 for Photographers: The Ultimate Workshop by Martin Evening

By Martin Evening

ISBN-10: 0240811186

ISBN-13: 9780240811185

Expert advertisement photographer and electronic imager Jeff Schewe (based in Chicago, united states) has teamed up with best-selling Photoshop writer Martin night to create this goldmine of data for advanced Photoshop clients. construction on Martin Evening's profitable Adobe Photoshop for Photographers sequence of titles, this new advisor takes an analogous profitable approach and applies it to a specialist Photoshop workflow. hugely visible, with transparent, step by step tutorials, this complex advisor will particularly attract those that are looking to see how the specialists technique Photoshop, producing consistent top-quality effects on time and to finances. The authors describe intimately the right way to perform a few of their favourite Photoshop picture modifying and retouching recommendations using examples taken from real-life specialist shoots. The options defined the following do not simply convey you shrewdpermanent belongings you can do in Photoshop, they exhibit how one can use Photoshop in a certified context, assembly the calls for of paintings administrators and pleasing tough briefs. hugely sensible, distinctive and encouraging, this is essential examining for all expert and aspiring expert photographers, and an individual else trying to find fine quality effects utilizing Photoshop. * Gain a special perception into a professional Photoshop workflow, with specialists Martin night and Jeff Schewe* develop into a retouching grasp with complex protecting and compositing suggestions* arrange your photographs for the very best output

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10 This shows the uncropped before version using the default Basic panel settings. 29 Martin Evening & Jeff Schewe Adobe Photoshop CS4 for Photographers: The Ultimate Workshop Crop When you work in Camera Raw, there is no particular order that you must follow. That’s the beauty of Camera Raw, it’s a non-destructive process and you can undo and redo the adjustments as many times as you like. You can start with the tone and color editing and end with a crop, although we reckon it is always best to carry out the tone and color editing first before you decide how to capture sharpen.

The bottom layer has been duplicated using Layer ➯ Smart Objects ➯ New Smart Object via Copy and a layer mask has been applied so the copy layer will only be blended in the center. 48 For images with high frequency edges – which are common for landscapes – the radius should be lowered and often the Detail slider increased. 25 shows the result of aggressive Detail and Amount settings. The image is sharp, but without halos that would interfere with subsequent sharpening rounds in later phases (although the odds of needing creative sharpening are not high).

21 we applied a Detail of 60 and left the Masking set to 0. 21 The Detail sharpening step 40 Chapter 2 Raising your IQ as well as a Color slider for suppressing the color speckle artifacts that are also a consequence of high ISO capture with some digital cameras. For most low to medium ISO captures we tend to stick with the default settings, but for high ISO captures, where more noise is usually visible, we tend to increase the Color slider first to remove the color speckles and then see if it is necessary to increase the Luminance noise reduction to smooth out noise artifacts.

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Adobe Photoshop CS4 for Photographers: The Ultimate Workshop by Martin Evening

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